Left Honore his native rural is an eight-year-old to Attelmz the artist Chardin and Boucher to win the prize of Rome in 1752 (Panel 88), but he did not leave France to Rome only in 1756, where he spent five years in the collection, displacement and immersion in the bohemian life, also studied the work of Tntoreto and Tiepolo and others. After his return to Paris on the citizen know the beauty of the works of great photographers, Flemish and Dutch, and gleaned from Rubens and Rembrandt dazzling attractive method that made him the first album the photographer during the eighteenth century the undisputed
Like the brothers used Jawarda Frajonar light and the atmosphere in various forms through the blurry transparent Lekhal scenes with her that he looked forward to the scene of fiction and that a mysterious pulse of vitality. As provided Verunezi artist Tiepolo that is expressed by the elements of imagination, as well as stimulate Tiepolo Frajonar to the whims of the use of imagination to see, as we shall see in the panel "a banquet of Cleopatra Antonio" by the artist Tiepolo depicting the scene like a dream of dreams.
And Frajonar like Tiepolo photographer romantic cameramen Rococo inspired manifestations of nature await you "worthy of filming" more than inspired the people who their pictures in the landscapes midgets next to the trees towering pop-like fountains, as we see in the painting "Garden Villa d'Este" (Panel 89) . If it did not follow the style Vrncsco Jawarda portray the characters in the small, the simulated method of the sister of Antonio Jawarda Taatray where the characters just tuned lines consistent Mtaodh lively but without the luxury of the faces of excellence but looks like a dancer Taatmaog spots within the configuration
In both cases appear to characters like puppets, hardly addresses most of his paintings had to the viewer to identify the edges specific forms, while trying to eye up the characters of painting, the approach is visible in paintings such as "study music" (Panel 90) and "educator" (Panel 91) and "Girl embossed initials of her name on the trunk of a tree" (Panel 93), and "girl caressed dragged her in her bed" (Panel 94) and draw a "Basha" (Panel 95). The explanation is that Frajonar not excited much of the topics addressed, it is exotic in itself not only enthusiastic about the one subject to frequent shipments of sensory introvert hot.
Although he identifies each of the themes the elements of a function suitable paint solemnly and moderation, but it was in all cases and under the influence of the shipment sensual, but the landscapes themselves seem to turn like arches sexual mating in the clouds with trees and become floral no function performed by Aldntlla like lace, intent only cosmetic and stylization, as only water fountains flowing uncontrolled. If address issues of historical - a rare occurrence - was also full of love, A numeric "Korisos sacrifice his life to save Calerhoah (23) suspended the priest Korisos a priest of God Bakjos in Boiyotaa Balihuria Calerhoah that was something to stop all the time, Vchkaha to Bakjos which hit the country's epidemic of plague .
If the phone suggests the divine to the people of the country that provide Calerhoah sacrificed on the altar of God until he was pleased with them. Were given the girl to the altar that the priest is Korisos stabbed himself instead. When I realized what it did Calerhoah over in the right Ashgaha committed suicide at the edge of the fountain took its name later. "Presented Salon in Paris in 1765 (plate 96) that is an attempt by him to bring together the qualities of self and templates Academy, came that express the love has not borne fruit and the sacrifice Semitism was considered at the time passion sterile. Has made Frajonar a major effort to motive forces of the excitement of the artistic composition, a refugee to a graphic skins of dark clouds and the followers and the winged flying characters to fill the vast vacant space between columns that do not occupy the priest and the little mermaid is only part of it.
Was said model, the height of the Rococo in that time in the process of association, and the audience connoisseurs are expected to turn the photographer Panel Korisos without the demise of this model, so I have after Diderot (plate 97) on the painting as: "may have attracted attention to the need of the public in France to the back of Rococo style of the emperors, not because of the inherent advantages, especially after the talent Bouchet and declined after the death of two brothers Jawarda Tiepolo and after the migration to Madrid. "Of course not Frajonar ready to perform the same role played by his predecessors, and it is a unique direction of its own, without a world full of immortal legends Elashikih or updated, which resulted in neglect and would ignore the Paris Salon exhibitions his
It was his life like his art free-free-free from the restrictions imposed by the patrons few had paid attention, as the transactions are made directly with the art dealers without any intermediary, and he was interested in portraying the lives of women of having no longer has the desire or interest in dealing with issues of historical, example of Marie Madeleine Jimar Panel (Panel 98). And "Belle absorbed in the acquisition of knowledge" (Panel 99), and "Girl reading a book" (plate 100). And "hide and seek" (plate 101). The mythological themes came from the word is familiar or aware of limited, gleaned through Gsheana Comic opera theaters.
Had sided Frajonar to Fitness usual during the eighteenth century France, the paintings, although not very simple touches his brush fast but fleeting, but it is very rich and rich innovation is interesting for the eyes, the pattern carried by the boys quarrelsome Almaabuth that caressed Pimenaha statue small for "Mandaran" Chinese employees with a nature of a] stands on a table while holding a small round Peeraha and without regard for the heads of the puppet strings mobile Dsthe sitting under the seat it (plate 102).
A sight seeing the approaching heresy simulated imagery Chinese [Hinoazari] common at the time, and reminds us to play a children's passion for the artist Chardin photographed, but they are illustrated here in an environment very different, where the color touches his brush that adds elegance and vitality to the drawing in tune amazingly sexy colors of pink and red and green. Thus, not distance this scene between us and the world of childhood, though he leads the boys slim with Body Slim to the world of feminine delicacy which is a sign that marked the Frajonar for others, which injected the eighteenth century in the spirit of banishment accumulations stringent customs and traditions up to the kindness and wit smiling.
The Frajonar in many ways closer to VT than to Bouchet, hence the response of free liberal to the behavior of society, and blended with subtle between the rituals of everyday life of contemporary art of decoration, and addressing the issues sensory exciting but lacked the depth of emotional which Nstchaara in the art of VT, but more explicitly in "Rubensatha" of VT, on the face that we see in the painting "Girl remove her sleep shirt" (plate 103), and "latch" (plate 104), and "swing" (plate 105). But none of these paintings are not disclosed genius Frajonar true as far as revealed by the panel "Festival Day in San Chloe" wonderful (plate 106) made after the panel Korisos ten years, where overwhelm nature of the characters, just as overwhelmed spaces spacious from the sky overcast the blocks of dense trees
The glimpse Chkhosa scattered Mtskaah nod to what you see in the puppet theater, and with all this nature remains dominant on the board, has taken the trees, vegetables and zero proportions giant even contracted individuals to them to mere puppets, if initiated by the artist as a scene of an event contemporary important becomes a poem a wild spin on the control of human nature, and low, an approach which was later held the position during the romantic movement.
And "Almsthamat" which usually includes Rhta of naked within view cell, which enrolled by the images nymphs during Asthmamhen, and Diana in her bath, as well as images biblical such as "Susanna in the bath" and "Bathsheeba in the bathroom" to the other, is an old issue Hammered in the art of photography in the eating Frajonar Almsthamat Panel (Panel 107) Baqrihh leaders and the enthusiasm and vitality Mhbobh amazing. If the fate of the painting to a wealthy amateur of the color ornamental sensory-seeking pleasures of life, revelry, has promised the painting a symbol of the artistic taste of the then French
We see the rapid pace of touches brush crossing the euphoria and fever of inspiration flowing and the upsurge of conscience before the glow brightness, if the girls' bodies and strands of hair into something like a spectrum of shells, and become shrubs and twigs blocks Rvafah like clouds in the lightness, and no water is running often slipped but Ragah foamy. No longer painting involves materialism sides, all of which the nature of Issaad Mhoma like steam, no longer as young girls are subjected to the law of gravity, the problems of energy lively and fun skipjack. We have exceeded Frajonar in this painting of the paper the ideal sensory familiar in his time Mtdthera Bgenaúah pantheism espoused by senior artists such as Rubens and Renoir.
It was unfortunate that Frajonar extended by the age after the era of art, and pictures become obsolete with the approach of the French Revolution and the emergence of neoclassical style, its solution to poverty and died in 1806 during the reign of Bonaparte, without a care for his death.
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