Contemporaries and almost not witnessed little of his death. Not one of them never dreamed of putting the rank of Rubens, or even Vandik, and wrote about his contemporaries - Juicm (Joachim) von Sandarat that what was lacking is knowledge mainly in Italy and other places that provide opportunities to study the theory and study of ancient art. (It seems to us now that this is the secret of his greatness). If he treated his affairs more vigorously and reason, and made more tact in society, might become richer, and his art has suffered from his tendency to be accompanied by Alsoqp (167). Ruskin agreed with the German art historian who said:
That rudeness and insensitivity and impartiality of piety always reflect itself in the colors black and gray, and rattled the case with Rembrandt ... that the goal of the best painters to portray what is their eye in broad daylight or in the light of the sun, but Rembrandt was seeking to draw the dirtiest things see and horrific - in the light of a candle (168). But Eugene de la Croix, which reflected the democratic developments in France, said: "Maybe one day we find the greatest painter of Rembrandt Raphael.
I am writing now - without bias - this is blasphemy, which should cause an erection will feel angry and surprisingly academics (169). The critics today tend to raise the rank above the Rembrandt Ravljel and Flakoiz and equated only artist Algrko (170) and I to realize that the "honesty" is a function of time and monitor. Any string and any gap from Rubens to Rembrandt - between light cheerful and shadow dreary between the abyss and note, between the noble Antwerp happy Bangmash in the fun and debauchery at home in palaces with kings, penniless and Amsterdam who knew lowest depths, and we have to grief and sorrow
You Considering these two men that they racist antithesis in harmony strong, but feel the other way the greatness of a small nation struggled empire giant, and feel the complexity of the civil, which were able to produce, in one hand, the culture of Catholic adorn Cheers doctrine, which is unquestionable, myths and Odharanha dear the art, and in the other Protestant culture was able to ransom and educates the greatest artist and the greatest philosopher of that era
That rudeness and insensitivity and impartiality of piety always reflect itself in the colors black and gray, and rattled the case with Rembrandt ... that the goal of the best painters to portray what is their eye in broad daylight or in the light of the sun, but Rembrandt was seeking to draw the dirtiest things see and horrific - in the light of a candle (168). But Eugene de la Croix, which reflected the democratic developments in France, said: "Maybe one day we find the greatest painter of Rembrandt Raphael.
I am writing now - without bias - this is blasphemy, which should cause an erection will feel angry and surprisingly academics (169). The critics today tend to raise the rank above the Rembrandt Ravljel and Flakoiz and equated only artist Algrko (170) and I to realize that the "honesty" is a function of time and monitor. Any string and any gap from Rubens to Rembrandt - between light cheerful and shadow dreary between the abyss and note, between the noble Antwerp happy Bangmash in the fun and debauchery at home in palaces with kings, penniless and Amsterdam who knew lowest depths, and we have to grief and sorrow
You Considering these two men that they racist antithesis in harmony strong, but feel the other way the greatness of a small nation struggled empire giant, and feel the complexity of the civil, which were able to produce, in one hand, the culture of Catholic adorn Cheers doctrine, which is unquestionable, myths and Odharanha dear the art, and in the other Protestant culture was able to ransom and educates the greatest artist and the greatest philosopher of that era
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